Grateful Dead Live at Capitol Theater on 1971-02-21
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- Publication date
- 1971-02-21 ( check for other copies)
- Topics
- Soundboard, Betty Cantor, Jace Crouch, Tim Deibert, Chris Ladner, Trailmix
- Collection
- GratefulDead
- Band/Artist
- Grateful Dead
- Resource
- DeadLists Project
- Item Size
- 1.2G
Cold Rain And Snow
Me And Bobby McGee
Loser
Easy Wind
Playing In The Band
Bertha
Me And My Uncle
Ripple
Next Time You See Me
Sugar Magnolia
Greatest Story Ever Told ->
Johnny B. Goode
Set 2
China Cat Sunflower ->
I Know You Rider
Bird Song
Cumberland Blues
I'm A King Bee
Beat It On Down The Line
Wharf Rat
Truckin'
Casey Jones
Good Lovin' ->
Drums ->
Good Lovin' ->
Uncle John's Band
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Cold Rain And Snow | |||
Me And Bobby McGee | |||
Where's Mickey Hart? | |||
Loser | |||
Easy Wind | |||
Playing In The Band | |||
Bertha | |||
Me And My Uncle | |||
Ripple, take 1 | |||
Ripple | |||
Next Time You See Me | |||
Sugar Magnolia | |||
Greatest Story Ever Told > | |||
Johnny B. Goode | |||
China Cat Sunflower > | |||
I Know You Rider | |||
Bird Song | |||
Cumberland Blues | |||
I'm A King Bee | |||
Beat It On Down The Line | |||
Wharf Rat | |||
Truckin' | |||
Casey Jones | |||
Good Lovin' > | |||
Drums > | |||
Good Lovin' > | |||
Uncle John's Band |
Notes
There are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
- Access-restricted-item
- true
- Addeddate
- 2008-04-17 13:09:50
- Identifier
- gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16
- Lineage
- Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
- Location
- Port Chester, NY
- Run time
- 166
- Transferred by
- Transfer and mastering by C.Ladner.
- Type
- sound
- Venue
- Capitol Theater
- Year
- 1971
comment
Reviews
Subject: Workingman's Dead
Subject: I have got no chance of losing this time...
The Dead are learning the new tunes and adjusting to life with one drummer.
I really dig the Loser.
You can really hear Billy slamming the drums.
There are 27 songs here and only Wharf Rat
and Good Lovin clock in over 10 minutes.
In a way it is like getting 2 first sets!
Easy Wind- I actually like the changes of direction inside this Easy Wind plus you got Pigpen playing Harmonica.
Subject: Better than the night before
Subject: Sets Lag in the Middle
Same goes for the second set. Good China/Rider and Bird Song to start, then about average until the concluding Good Lovin' which is high energy and tight.
Great sound, but there are better shows from this run.
Subject: Embarassing
Subject: "Where's Mickey Hart?"
Subject: Some fine rhythm guitar...
Again, the the guitar tones are gorgeous, though the playing is not quite as tight as the preceeding shows, and the set lists are not as exciting. Still, it's a dynamite performance and the energy level is a bit higher than the night before.
The band is still working out the new material, but several of the renditions sound quite good. Loser is terrific, thanks in no small part to Weir's rhythm guitar. A couple tracks are not well played though, and Ripple is not nearly as fine as the performance from the night before, the band seems to be having trouble staying in tune. It's still lovely, pity they didn't stick with it.
The China/Rider segue is nice, again thanks to some solid Weir guitar work. Ditto for Bird Song, all jangly with Weir guitar. Garcia finally steps up on Cumberland Blues. It's not particularly tight, but Jerry's leads are punchy and it's an interesting performance.
They're making progress with Wharfrat. This one is stretched out a bit, though I'm not sure if it's any better than the gorgeous performance from the night before. A nice raunchy jam during King Bee preceeds a scrappy performance of Truckin' which catches fire briefly during the outro, Garcia ripping a fine lead.
Good Lovin' is a solid performance, but it's evident that this shows is lacking in jamming. The reprise heats up just after the drum break and there is an exhilarating passage during Pig's rap starting at about 6:45 but unfortunately they don't stick with it. (95 pts)
Subject: nice
Subject: A brilliand resurrection of a beautiful show!
Hey now!
:-D
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